Since I've been playing in a band, I've learned a lot of things about myself and my friends...some scary, some informative, some just plain unsettling. At last night's practice, though, for the first time in ages, I learned through pure, sheer, unadulterated pain.
The practice was productive enough (in spite of me being late...screwed up the starting time). We had moved into another room, were experimenting with our new PA (hey, we can hear each other! I can hear myself!), and everything went well. As we were finishing and putting our stuff up, I moved my amp to its place, put away my pedal board, and went to grab my outer shirt sitting at the front of a closet. However, I didn't really look at what I was doing. If I had, I would've noticed the vacuum cleaner that was directly in line with my eye.
Yes, I rammed my eye with a vacuum cleaner handle. Hard. I immediately saw stars. The rest of the band later told me they heard me scream (like a little girl, I presume) and sit down.
Here's where the lessons begin.
My drummer got me a bag of frozen veggies to use to ice down my eye. After a minute, he looked at my eye, burst out in laughter, and said "Dude, you're going to be screwed up." Thus, I learned something about drummers.
On the way to Howards, my friends started speculating on good stories I could tell about my soon-to-be black eye. They were all much more involved, violent, and mean-spirited than any I could invent...the best I could do is weird ("I was at the grocery store and got into a discussion about cheddar versus velveeta which turned violent"). At Howards, another friend came up with a possible scenario for the eye that was so shocking and obscene, I can't even begin to hint at it on this blog. Thus, I learned something about my friends.
When I finally saw my darling spousal unit, she was as concerned and huggy as I expected her to be. Thus, I learned (again) how lucky I am.
The next morning, I woke up to a slight soreness in my eye, but no real bruising. For some reason, I was a little disappointed. Thus, I learned something about myself.
Tuesday, January 26, 2010
Wednesday, January 20, 2010
the ritual of caffeine
Although she's been away from her home country for quite some time, there's an awful lot about my mother that's very British. Now, I don't want to extrapolate too much about the British from one example (other than my Nana, I don't know much of my family on that side...I haven't been over the pond in some time, and I actively loathe my closest living relative over there), but one of the very key parts of that Britishness is a certain love of ritual...it makes them feel civilized.
Probably the most typical of British rituals is of tea. While it doesn't have quite the connotations of the Japanese tea ceremony, it does seem to hold a special place in my mother's heart. The prime evidence of this (if my mummy is any indication) is an incessant love of tea kettles...my mom has dozens of them. Keeping the tea kettle at the proper temperature is very important, so my mom pre-heats the kettle and then uses something called a "tea cozy," a weird knitted tea pot insulator/cover/tuque designed to keep the pot warm in the brewing process. And then, you have to use the fine tea cups and saucers, in spite of the lack of practicality (my mom's favorite set has these handles that do not admit fingers) or expense.
Personally, I always thought the whole ceremonial aspect was sort of silly...particularly in the case of my mom, who, in spite of her tea pot obsession, uses mass-market tea bags. Isn't good quality tea the real point of all this? I suspect the actual ritual is more important to most, though. I get the same feeling when I hear record aficionados talking about vinyl care.
But my mocking of ritual is something events have forced me to reconsider.
A while back, I got tired of trying to clean my drip coffee maker and moved to a french press. Great coffee, but now I need to boil the water, preheat the press, grind the beans, pour the water over the grounds, preheat the thermos, and press out the coffee. It takes a while, but at least I can hum the Dexter theme. Then I got tired of having to drive to Ann Arbor to the one Chinese grocer who stocks the tea I like, I ordered loose leaf online. Now, when I want to do tea instead of coffee, I now have to boil the water, preheat my pot (okay, a glass measuring pitcher...I'm broke) and the mug, measure out the leaves, pour the water over the leaves, and strain the leaves out as I pour.
It's occurred to me that, in the pursuit of gourmet/snob coffee and tea quality, I'm falling into the ritual aspect myself. This gives me the fear. I can justify this to some extent with "well, I am getting better and tastier caffeine delivery devices." This, however, is of little comfort. I have to admit, there's a certain part of me that fears loving the procedure more than the result. I'm too young to become obsessive, damnit!
Well, more obsessive than I am already.
Probably the most typical of British rituals is of tea. While it doesn't have quite the connotations of the Japanese tea ceremony, it does seem to hold a special place in my mother's heart. The prime evidence of this (if my mummy is any indication) is an incessant love of tea kettles...my mom has dozens of them. Keeping the tea kettle at the proper temperature is very important, so my mom pre-heats the kettle and then uses something called a "tea cozy," a weird knitted tea pot insulator/cover/tuque designed to keep the pot warm in the brewing process. And then, you have to use the fine tea cups and saucers, in spite of the lack of practicality (my mom's favorite set has these handles that do not admit fingers) or expense.
Personally, I always thought the whole ceremonial aspect was sort of silly...particularly in the case of my mom, who, in spite of her tea pot obsession, uses mass-market tea bags. Isn't good quality tea the real point of all this? I suspect the actual ritual is more important to most, though. I get the same feeling when I hear record aficionados talking about vinyl care.
But my mocking of ritual is something events have forced me to reconsider.
A while back, I got tired of trying to clean my drip coffee maker and moved to a french press. Great coffee, but now I need to boil the water, preheat the press, grind the beans, pour the water over the grounds, preheat the thermos, and press out the coffee. It takes a while, but at least I can hum the Dexter theme. Then I got tired of having to drive to Ann Arbor to the one Chinese grocer who stocks the tea I like, I ordered loose leaf online. Now, when I want to do tea instead of coffee, I now have to boil the water, preheat my pot (okay, a glass measuring pitcher...I'm broke) and the mug, measure out the leaves, pour the water over the leaves, and strain the leaves out as I pour.
It's occurred to me that, in the pursuit of gourmet/snob coffee and tea quality, I'm falling into the ritual aspect myself. This gives me the fear. I can justify this to some extent with "well, I am getting better and tastier caffeine delivery devices." This, however, is of little comfort. I have to admit, there's a certain part of me that fears loving the procedure more than the result. I'm too young to become obsessive, damnit!
Well, more obsessive than I am already.
Monday, January 11, 2010
living in a Mad Max world
Gatherings of friends bring joy, yes, but they also bring insecurities, fears, tears, doubts, self-loathing...but at least these are things we're able to share rather than being forced to carry alone.
Flash back to those wonderfully awkward days of junior high school. It was still a few years before people started peppering me with the obligatory "what are you going to do when you graduate?"...questions that would come years later, but that was alright by me. I was young, but in my youthful arrogance, I had began to suspect even at that age that long term work-till-you-die plans would probably never come with any conviction. But while I lacked a real career path, I did already have an option which was more a calling, more an identity than a career, and even that contained a significant element of delusion and fantasy.
I wanted to be a musician.
I had already worked through a bout of being a violinist. The story is actually kind of amusing. My 5th grade teacher told my parents that I was probably mentally challenged (nice lady), and I should probably be tested. So I was shuffled to the guidance counselor's office for an IQ test. When the results came in, my teacher was quite upset to find out that I was not in fact mentally retarded. While I never got to see my scores, I do know that for my next year of school, I was enrolled in an academically gifted program.
The counselor told my parents that I needed more mental stimulation that school (in particular, my 5th grade teacher's craptastic class) could provide...hence the academically gifted program. He also recommended that I take up a musical instrument, and since my dad had a violin from the days he was forced to take up an instrument, the decision was made for me.
Several years on the instrument made me realize I wasn't a bad violin player. I had good technical skills, and I was particularly adept at sight-reading. I even won a superior ranking in some music competition. However, I had absolutely no feel for the music. While I was good at it, I felt no passion. The most heart-wrenching symphonies were merely challenges. I was only someone who played violin, never a violinist. The instrument never became part of who I was.
After a family move to Florida, my folks never found me another violin teacher, and the instrument kind of remained in the closet. However, much to my parent's chagrin, I started to really listen to hard rock and roll and heavy metal, and instead of violin, I now wanted to be a guitarist. For reasons I couldn't fathom at the time, my folks refused to buy me an instrument...so instead I saved up my lunch money for a Chicago-brand Les Paul copy. Of course, I sucked on it for a long period of time, but I loved it.
My folks were less than supportive of my new music obsession. While my Dad would occasionally pick me up a pack of strings, they refused to buy me anything else. When I saved up more lunch money and holiday gift money and wanted a real guitar, my folks made me sell my first guitar (I was told I did not need two). Whenever I left to play with friends, I would be reminded "this is only a hobby. You can't make a living at this." Eventually, I started working so I could buy more music stuff, but even then, I had to be careful. When I bought my honest-to-goodness real vintage Gibson Les Paul, I had to hide it from my mom for a while and lie about how much money I spent. But I didn't care...because I was a guitar player. The music was within me, a part of me. It was who I was.
There came a time where I realized that although I needed a job to buy musical equipment, that work kept me from actually playing. If I wanted the means to become a musician, I had to work at a job that kept me from playing music...and thus prevented me from becoming a musician.
There were many trials and tribulations, many stories of music, failed bands, and stoners passing around unsalted pretzels, but there is a larger point here beyond my doomed teenage music career. Suffice to say, after many failures on my part, I decided that being a musician probably wasn't, for various reasons, in my cards. I went back to school, got a couple of degrees, and eventually moved away to doctoral school.
Moving away from everyone I knew, from everything familiar, was the most significant thing I had ever done. I developed friends, and they became colleagues. We could talk about our lives, our interests, yes, but we could also talk about ideas, theories, concepts, important stuff. We could talk about the best way to reach our students. We could discuss the best ways to refine and present our ideas. We became academics in every sense of the word, because the learning, the thinking, the process of discovery began to pervade everything we did. "Academic," for us, was not our career...it became our identity.
And yet...
One day in particular of Ohio year one, I was sitting in my apartment, where, after hours fighting with some heavy critical theorist or something, I needed to clear my head. I turned on my 19" television to Star Trek: The Next Generation or something, picked up my acoustic, and began to run through some chords. Before long, I was working my way through some Son Volt, some Stones, some Neil Young.
I wasn't thinking about much except for maybe how my voice had, a few years after quitting smoking, become viable as an instrument. I could sing and play, and I actually sounded passable. This was also after I abandoned guitar picks for my acoustic, so I was able to provide much better rhythm and dynamics on the acoustic than ever before.
I finished the song I was playing, but before I could launch into anything else, there was a knock on my door. When I opened it, there was a young girl in the hallway--she must've been around twelve. She said "I just wanted to tell you I think you're good." She smiled at me, turned, and left my hallway. I think about this an awful lot. Years after giving up being a guitar player, I realized, I became a much better player than when I thought I was a guitarist, even if I now thought of myself as an academic.
Nowadays, I'm still playing guitar. I have several great instruments. I have a moderate DIY effects pedal board. Hell, I'm in a band, and we're in discussions for gigs. And this all happened after I gave up hope being a guitar player.
It's very easy to get caught up in expectations...your friends, your families, your superiors. It's even easier to get caught up in your own expectations...of success, of justice, of right and wrong, of "what we deserve." Expectations, however, are all poisonous and will do you in if you pay them heed. A promise of a big reward can in fact be a lie. Any hope of cosmic justice, if it's your main motivating factor, has the opportunity to do you in. The true test of character is how you operate after giving up all hope. If everything is crashing down, will you still fight?
Personally, I have a habit of mentally writing things off as hopeless just because all evidence tells me so. Take my status as an academic, for instance. Will I ever get to be a tenure-track faculty? It doesn't matter how hard I work, how much stuff I produce, how many classes I teach. Things are so bad in the academic job market these days, and my friends are so much better at this and more deserving than am I, that I just know I can't compete, that I will probably always be where I am. It would be illogical to think otherwise, and the sooner I just accept this (says the little voice in my head), the better off I will be.
I know I'm not the only one. There's always the danger that, when you ask academics how they are doing, they might in fact tell you (and most of my friends are academics). Me and my friends, we are in a career that is at its historical low point. The signs of the academic collapse have been chronicled so often, I certainly don't need to recount them here. And you can't go to a bar, go to a party, run into someone on the street without hearing it in someone's voice.
How do we handle it? How do you go on when, instead of having your back against the wall, you have that wall pulled down on top of you? How do you handle knowing that there is no order, no justice, no logic? That things very well might not work out after all? That your current effort do go beyond the call of duty, of reason, of logic probably will not pay off? When there is no hope left, when the world has, for all intensive purposes, ended...what do you do then? How do you survive when survival no longer makes sense? Should you even bother trying to fight? As some struggling musicians I like say, "would you keep on going if you couldn't make it through?"
I hope so. Personally, I don't know if I will ever be a successful academic, but then I have to remind myself: I became a much better guitar player after I gave up being a musician.
Hope is overrated. Work is much more important.
Flash back to those wonderfully awkward days of junior high school. It was still a few years before people started peppering me with the obligatory "what are you going to do when you graduate?"...questions that would come years later, but that was alright by me. I was young, but in my youthful arrogance, I had began to suspect even at that age that long term work-till-you-die plans would probably never come with any conviction. But while I lacked a real career path, I did already have an option which was more a calling, more an identity than a career, and even that contained a significant element of delusion and fantasy.
I wanted to be a musician.
I had already worked through a bout of being a violinist. The story is actually kind of amusing. My 5th grade teacher told my parents that I was probably mentally challenged (nice lady), and I should probably be tested. So I was shuffled to the guidance counselor's office for an IQ test. When the results came in, my teacher was quite upset to find out that I was not in fact mentally retarded. While I never got to see my scores, I do know that for my next year of school, I was enrolled in an academically gifted program.
The counselor told my parents that I needed more mental stimulation that school (in particular, my 5th grade teacher's craptastic class) could provide...hence the academically gifted program. He also recommended that I take up a musical instrument, and since my dad had a violin from the days he was forced to take up an instrument, the decision was made for me.
Several years on the instrument made me realize I wasn't a bad violin player. I had good technical skills, and I was particularly adept at sight-reading. I even won a superior ranking in some music competition. However, I had absolutely no feel for the music. While I was good at it, I felt no passion. The most heart-wrenching symphonies were merely challenges. I was only someone who played violin, never a violinist. The instrument never became part of who I was.
After a family move to Florida, my folks never found me another violin teacher, and the instrument kind of remained in the closet. However, much to my parent's chagrin, I started to really listen to hard rock and roll and heavy metal, and instead of violin, I now wanted to be a guitarist. For reasons I couldn't fathom at the time, my folks refused to buy me an instrument...so instead I saved up my lunch money for a Chicago-brand Les Paul copy. Of course, I sucked on it for a long period of time, but I loved it.
My folks were less than supportive of my new music obsession. While my Dad would occasionally pick me up a pack of strings, they refused to buy me anything else. When I saved up more lunch money and holiday gift money and wanted a real guitar, my folks made me sell my first guitar (I was told I did not need two). Whenever I left to play with friends, I would be reminded "this is only a hobby. You can't make a living at this." Eventually, I started working so I could buy more music stuff, but even then, I had to be careful. When I bought my honest-to-goodness real vintage Gibson Les Paul, I had to hide it from my mom for a while and lie about how much money I spent. But I didn't care...because I was a guitar player. The music was within me, a part of me. It was who I was.
There came a time where I realized that although I needed a job to buy musical equipment, that work kept me from actually playing. If I wanted the means to become a musician, I had to work at a job that kept me from playing music...and thus prevented me from becoming a musician.
There were many trials and tribulations, many stories of music, failed bands, and stoners passing around unsalted pretzels, but there is a larger point here beyond my doomed teenage music career. Suffice to say, after many failures on my part, I decided that being a musician probably wasn't, for various reasons, in my cards. I went back to school, got a couple of degrees, and eventually moved away to doctoral school.
Moving away from everyone I knew, from everything familiar, was the most significant thing I had ever done. I developed friends, and they became colleagues. We could talk about our lives, our interests, yes, but we could also talk about ideas, theories, concepts, important stuff. We could talk about the best way to reach our students. We could discuss the best ways to refine and present our ideas. We became academics in every sense of the word, because the learning, the thinking, the process of discovery began to pervade everything we did. "Academic," for us, was not our career...it became our identity.
And yet...
One day in particular of Ohio year one, I was sitting in my apartment, where, after hours fighting with some heavy critical theorist or something, I needed to clear my head. I turned on my 19" television to Star Trek: The Next Generation or something, picked up my acoustic, and began to run through some chords. Before long, I was working my way through some Son Volt, some Stones, some Neil Young.
I wasn't thinking about much except for maybe how my voice had, a few years after quitting smoking, become viable as an instrument. I could sing and play, and I actually sounded passable. This was also after I abandoned guitar picks for my acoustic, so I was able to provide much better rhythm and dynamics on the acoustic than ever before.
I finished the song I was playing, but before I could launch into anything else, there was a knock on my door. When I opened it, there was a young girl in the hallway--she must've been around twelve. She said "I just wanted to tell you I think you're good." She smiled at me, turned, and left my hallway. I think about this an awful lot. Years after giving up being a guitar player, I realized, I became a much better player than when I thought I was a guitarist, even if I now thought of myself as an academic.
Nowadays, I'm still playing guitar. I have several great instruments. I have a moderate DIY effects pedal board. Hell, I'm in a band, and we're in discussions for gigs. And this all happened after I gave up hope being a guitar player.
It's very easy to get caught up in expectations...your friends, your families, your superiors. It's even easier to get caught up in your own expectations...of success, of justice, of right and wrong, of "what we deserve." Expectations, however, are all poisonous and will do you in if you pay them heed. A promise of a big reward can in fact be a lie. Any hope of cosmic justice, if it's your main motivating factor, has the opportunity to do you in. The true test of character is how you operate after giving up all hope. If everything is crashing down, will you still fight?
Personally, I have a habit of mentally writing things off as hopeless just because all evidence tells me so. Take my status as an academic, for instance. Will I ever get to be a tenure-track faculty? It doesn't matter how hard I work, how much stuff I produce, how many classes I teach. Things are so bad in the academic job market these days, and my friends are so much better at this and more deserving than am I, that I just know I can't compete, that I will probably always be where I am. It would be illogical to think otherwise, and the sooner I just accept this (says the little voice in my head), the better off I will be.
I know I'm not the only one. There's always the danger that, when you ask academics how they are doing, they might in fact tell you (and most of my friends are academics). Me and my friends, we are in a career that is at its historical low point. The signs of the academic collapse have been chronicled so often, I certainly don't need to recount them here. And you can't go to a bar, go to a party, run into someone on the street without hearing it in someone's voice.
How do we handle it? How do you go on when, instead of having your back against the wall, you have that wall pulled down on top of you? How do you handle knowing that there is no order, no justice, no logic? That things very well might not work out after all? That your current effort do go beyond the call of duty, of reason, of logic probably will not pay off? When there is no hope left, when the world has, for all intensive purposes, ended...what do you do then? How do you survive when survival no longer makes sense? Should you even bother trying to fight? As some struggling musicians I like say, "would you keep on going if you couldn't make it through?"
I hope so. Personally, I don't know if I will ever be a successful academic, but then I have to remind myself: I became a much better guitar player after I gave up being a musician.
Hope is overrated. Work is much more important.
Thursday, December 31, 2009
2009 in review: the world of Mike
The final of the lists!
Other Cool best-ofs:
Saddest moment of the year:
Other Cool best-ofs:
- Best musical purchase: my Fulltone Fulldrive 2 distortion pedal. Whooboy, this thing sings.
- The coolest thing that's happened to me personally: I'm in a band!
- Happiest BG moment: old friends returning!
- Best TV-related purchase: Deadwood: The Complete Series
- Best video game purchase: Dead Space: Extraction
- Best “I'm happy to be an academic” moment: wandering New Orleans with friends while “attending” a conference.
Saddest moment of the year:
- Jay Bennett, RIP.
2009 in review: music
The top ten albums:
Just missed the cut:
If only I had more time/yes, I know I need to check out:
Other 2009 releases:
The best 2009 songs:
Shows of the year:
Why 2010 will be a better music yea:
Wanna hear more? For a limited time, download my 2009 sampler!
- 1372 Overton Park, by Lucero—I got a chance to see Lucero in (I believe) 2008, and I remember being more impressed with opener Glossary (and getting to hang with the indomitable Micah and Shane, who both made the trip up to BG for the show). I did like Lucero enough to buy Rebels, Rogues, & Sworn Brothers, but when I listened to it, my impressions were that they had potential, but most of the album just seemed lazy in terms of playing and inconsistent in terms of writing.
I bought 1372 Overton Park after an online request for “new rock and roll.” Man, is this album miles above anything else from this band. Solid songwriting throughout, tight arrangements (winning the “best unexpected use of horns in rock and roll 2009” award), great playing throughout. Lyrically, this is a leap above most rock and roll out today. How can one not love “What Are You Willing To Lose?,” an ode to realizing that you might risk all without ever seeing the rewards due? “Would you keep on going if you couldn't make it through?” Indeed.
- baby darling doll face honey, by Band of Skulls—I picked this up as a “listening booth” find at Culture Clash records in Toledo. At first listen, Band of Skulls is definitely operating in the White Stripes vein, but with a little less Zeppelin in the mix. I think, however, that Band of Skulls might do it better...better lyrics, better vocal melodies, and generally smarter. Plus they have the coolest name ever.
- When The Stage Lights Go Dim, by Micah Schnabel—Two Cow Garage frontman steps out with a quieter sound. This could've easily been a sleeper pick, doing little else but to hold us over until 2010's TCG album. Instead, Micah's songwriting elevates this to simply being an awesome album. Micah brings more heart and soul, but more importantly, energy and insight. An acoustic album which definitely rocks.
- Them Crooked Vultures (s/t)—Okay, I admit that I only bought this because John Paul Jones (yes, the former Led Zeppelin bassist) is playing on it. Sue me. Solid rock and roll throughout, great hooks, awesome musicianship, with enough funk and hooks to make you want to move.
- Message to Garcia, by Visqueen—This album is not the deepest or most varied pick on my list. However, it might just be the most fun. Plus awesome vocals...if I knew someone who could sing like this, I'd do anything to become part of the band. “So Long” might be the best ballad in years.
- Murdering Oscar & Other Love Songs, by Patterson Hood—While I have been increasingly meh about the Drive-By Truckers' last few, Patterson's solo work continues to bring it. No one brings scathing lyrical insight nearly as well, and there are several songs (most notably the stunning “Skrewtopia”) which will make you quiet with awe.
- Wolves, by Roger Bryan and the Orphans—Bar rock done right...slightly sloppy, slightly messy, slightly over the top. But this is how rock and roll should be...walking the tightrope and coming dangerously close to crashing.
- Quest for Fire (s/t)—Will this one burn your face off? Well, it should. Quest for Fire is a full-out sonic assault that slams your face against the wall before simply crushing and burying you.
- Live at the Ohio Theater, by The Polka Floyd Show—Yeah, it's a live album. Yes, it's a Pink Floyd cover band. Yes, the songs are done in polka. Get over it. This band could easily slip into parody and get old really quickly. Instead, The Polka Floyd Show boast a level of commitment and musicianship (the guitar specifically will blister your face) that allow them to really get it right. After a few spins of this one, regular Pink Floyd seems dull and insignificant.
- A New Tide, by Gomez—Yes, it's mellow at times. But the songwriting is generally fun and doesn't go to the normal, expected places. There are enough toe-tapping moments to keep this one regularly going to my cd player.
Just missed the cut:
- American Central Dust, by Son Volt
- The All-Night Bedroom Revival (free download), by Joey Kneisser
- The Majestic Beast of the Flatlands, by Raise High the Roof Beam
If only I had more time/yes, I know I need to check out:
- Superchunk
- Brendan Benson
- Vulture Whale
- Japandroids
- Reigning Sound
Other 2009 releases:
- Backspacer, Pearl Jam—And I still can't hack Eddie Vedder's voice.
- 21st Century Breakdown, Green Day—An overly poppy letdown after the brilliant American Idiot.
- Porcupine, Tim Easton—He continues to show why his high point was The Truth About Us.
- Wilco (The Album), Wilco—This has a few great songs, but it has many more deathly dull songs.
- Jason Isbell & the 400 Unit (s/t)—On first listen, this did nothing for me, which is strange considering how much I lived his debut. I'll have to go back to this
- The Mountain, Heartless Bastards—Sorry, I've been told I should like this, but it's a bit monotonous. A shame, really...they have such a great band name.
The best 2009 songs:
- “What Are You Willing To Lose?,” Lucero
- “Bull Black Nova,” Wilco
- “Screwtopia,” Patterson Hood
- “American Static,” Micah Schnabel
- “Dynamite,” Son Volt
Shows of the year:
- Two Cow Garage, Jackson MI
- Josh Ritter, The Agora Ballroom, Cleveland OH
- Micah Schnabel, Frankies, Toledo OH
Why 2010 will be a better music yea:
- rumored releases from Two Cow Garage, Grand Champeen, Glossary. RAWK!
Wanna hear more? For a limited time, download my 2009 sampler!
2009 in review: films
The best of an awesome year at the theaters:
- Up!—I utterly love Pixar movies, and they are perhaps the only film studio to get an utterly free pass from me. However, nothing prepared me for Up! Visually beautiful? Of course. However, this film rang with a level of emotional resonance throughout that I've never before experienced. Unbelievably uplifting, sad, and touching...the best film of an amazing year in cinema.
- Where the Wild Things Are—I heart Spike Jonze, so I knew this would be good, even worth the multi-year wait. You knew this was going to be unbelievably stunning visually. But did you think it would drive you to tears? So easily make you unbelievably happy, touched, and frightened all at the same time?
- The Fantastic Mr. Fox—Yet another director I adore comes through with an utterly fantastic film. The retro-claymation plays really well against the retro-music. But where this movie shines is the overall, indefineable sense of coolness it exudes. Every character is someone I would dearly love to know. A friend and fellow academic told me that this film made him utterly unable to apply a critical lens to it because he was just enjoying himself so much. I agree.
- Inglourious Basterds—Tarantino films are always an event, and Basterds certainly qualifies as extreme. However, it's not the violence (brutal and fun) or the dialogue (snappy and memorable) that sets this one off. No, it's the utterly unforgettable performances of both Melanie Laurent and Christoph Waltz, who bring layer upon layer of depth.
- Coraline—This is the fourth film so far to prove that kids movies are best when they don't limit themselves to “kiddie” stereotypes. Great stop-motion animation, even greater characterization of the angst of growing up. Both creepy and touching at the same time.
- The Hurt Locker—While this covers much of the same emotional ground as 2008's The Wrestler, Hurt Locker is notable as a movie that does pretty much everything right. It looks great. Wonderful characterizations. Moreover, this is a shockingly relevant film which will have you thinking days and months after you leave the theater.
- Star Trek—A popcorn movie? Sure. More action/adventure than we're used to from the Star Trek Franchise? Granted. But as an action/adventure movie, this succeeds wholeheartedly. Nicely paced, beautiful, with just enough characterization to keep you intellectually with the film.
- Men Who Stare At Goats—With talent like Ewan McGregor, George Clooney, Kevin Spacey, and Jeff Bridges, the acting in this film was bound to be outstanding. Funny, to be sure, but just enough depth to the story to keep this from being fluffy.
- Monsters vs. Aliens—I wouldn't have seen this if not for a showing at the cheap theater...and that would've been my loss. This was much smarter than it had a right to be. Great acting throughout, especially from Seth Rogan.
- Harry Potter & the Half-Blood Prince—It's not the best of the Harry Potter films, and, for those of us who read the books, there are a few puzzling choices. However, still a very solid entry in the series
2009 in review: television
The best of the year's television:
- Burn Notice—Could this show be any smoother? Could anyone look better than Fiona in tennis whites? Could you have anyone more awesome than Bruce Campbell?
- Castle—Sure, it's fluffy. But the dialog is snappy, and both Nathan Fillon and Stana Katic tear into their characters. Some of the most fun tv out there.
- Dollhouse—Consistently challenging tv that breaks the rules—no real “good guys” to speak of, morally repugnant behavior from most characters, long serial plots that only offer a delayed payoff—all mean that this was bound to be canceled. However, for those willing to stay for the ride, there's some great acting (particularly from Tudyk, Kranz, Glau, Lachmen, Williams, and Gjokaj) and some of the most thought-provoking television out there.
- V—If there's anything that had the potential to mess up, it's this. The original is a classic that still holds up pretty well. However, whatever questionable politics this remake might have (too early to tell, really, but I have suspicions), this is undeniably good for its sense of dread.
- House—Once again, House risks failure by completely and utterly disrupting its own status quo. On paper, is there a worse move than having House in therapy, cured of his addiction? But it pays off.
Wednesday, December 30, 2009
on music, being doomed, and the chance to start house fires
Out of my many obsessions (beer, popcorn, killing zombies), one to which I've always felt strongly connected was music. If I could be anything when I grow up, it would still, to this day, be a rock star...or at least a professional musician. I think I definitely have the mind for music, and lately, I've become convinced I also have the skills. For the first time in ages, I'm in a band that practices regularly, has gigs potentially lined up, and is playing songs that I would, if not in the band, listen to and enjoy.
However, there are issues. There are a few of the standard band issues; while this is going more smoothly than any other musical collaboration from my past, we still get into an occasional (yet tremendously polite) "this doesn't sound like a chorus to me," followed by "well, what should a chorus sound like?" debate. These are of no real worry for me, though. I am nothing if not adaptable.
What concerns me? The same things as usual: my own dumb luck and the conspiring hand of fate.
When we last discussed musical matters, I was still missing my distortion pedal, and my amp had just blown up. Well, the pedal came in, and, after two months (due to a backordered part), my amp was finally repaired. Together, they sounded great. One band practice, though, I decided to add my wah wah pedal to the setup, and I realized that whenever I moved (usually while pulling Rock Star Pose #24), both pedals followed, skidding across the floor, cords becoming tangled. When I bought a cheap digital delay at an after-Thanksgiving sale, the problem got worse, and I felt like I was leading a tangle of spaghetti on a walk.
I decided that having a row of pedals meant that I had to mount them onto a pedal board of some sort...that is, if I wanted to maintain any credibility as a musician. After all, if you're not going to have a neat pedal board, what separates you from the hoard of frat boys playing Guitar Hero? And I decided that rather than buy a pedal board, I would, driven equally by my innate cheapness and my need to assert at least a shred of traditional masculinity, instead build my own.
This actually went fairly well. Although I was utterly flabbergasted by the cost of professional-strength velcro, I quickly procured all the parts at my area hardware chain conglomerate. For the cost of a Corner Grill lunch, I conned a friend into breaking out some power tools and helping me assemble the final piece. And several days later, I managed to even hide all the cables (after riddling the top of the board with 368 holes).
Then, at our last band practice before Xmas, my channel switch quit working. Okay, I can do that one manually. Then I tried out the wah wah, and it started to cut out the volume of my entire rig. Sigh.
I decided, again in a fit of DIY/I'm too cheap to hire a professional/please let me feel like a man just this one time, to fix everything myself. I bought a soldering gun, and I decided to repair the channel select footswitch first. Before I could add a jack to the thing, though, I needed to remove the old wires from the actual switch. I heated up my soldering gun and dove into the task at hand. Of course, rather than simply remove some solder, I accidentally melted the switch.
However, if 39 unsuccessful years on the job market have taught me one thing, it's to never give up. After I finish with my current project, I will teach myself to solder. I will learn how to hook up wires to a switch! I will gain the skills to mod my new phaser pedal! I will build my own ring modulator! The masses of musicians will bow down before me! And it will all come to pass through the simple tool of a soldering gun!!!!!
Either that, or I'll burn the house down.
However, there are issues. There are a few of the standard band issues; while this is going more smoothly than any other musical collaboration from my past, we still get into an occasional (yet tremendously polite) "this doesn't sound like a chorus to me," followed by "well, what should a chorus sound like?" debate. These are of no real worry for me, though. I am nothing if not adaptable.
What concerns me? The same things as usual: my own dumb luck and the conspiring hand of fate.
When we last discussed musical matters, I was still missing my distortion pedal, and my amp had just blown up. Well, the pedal came in, and, after two months (due to a backordered part), my amp was finally repaired. Together, they sounded great. One band practice, though, I decided to add my wah wah pedal to the setup, and I realized that whenever I moved (usually while pulling Rock Star Pose #24), both pedals followed, skidding across the floor, cords becoming tangled. When I bought a cheap digital delay at an after-Thanksgiving sale, the problem got worse, and I felt like I was leading a tangle of spaghetti on a walk.
I decided that having a row of pedals meant that I had to mount them onto a pedal board of some sort...that is, if I wanted to maintain any credibility as a musician. After all, if you're not going to have a neat pedal board, what separates you from the hoard of frat boys playing Guitar Hero? And I decided that rather than buy a pedal board, I would, driven equally by my innate cheapness and my need to assert at least a shred of traditional masculinity, instead build my own.
This actually went fairly well. Although I was utterly flabbergasted by the cost of professional-strength velcro, I quickly procured all the parts at my area hardware chain conglomerate. For the cost of a Corner Grill lunch, I conned a friend into breaking out some power tools and helping me assemble the final piece. And several days later, I managed to even hide all the cables (after riddling the top of the board with 368 holes).
Then, at our last band practice before Xmas, my channel switch quit working. Okay, I can do that one manually. Then I tried out the wah wah, and it started to cut out the volume of my entire rig. Sigh.
I decided, again in a fit of DIY/I'm too cheap to hire a professional/please let me feel like a man just this one time, to fix everything myself. I bought a soldering gun, and I decided to repair the channel select footswitch first. Before I could add a jack to the thing, though, I needed to remove the old wires from the actual switch. I heated up my soldering gun and dove into the task at hand. Of course, rather than simply remove some solder, I accidentally melted the switch.
However, if 39 unsuccessful years on the job market have taught me one thing, it's to never give up. After I finish with my current project, I will teach myself to solder. I will learn how to hook up wires to a switch! I will gain the skills to mod my new phaser pedal! I will build my own ring modulator! The masses of musicians will bow down before me! And it will all come to pass through the simple tool of a soldering gun!!!!!
Either that, or I'll burn the house down.
Tuesday, December 29, 2009
has anyone seen my rage?
Usually, my winter break moods are a more sure sign of the seasons than eggnog recipes, visiting relatives, or the slew of rabid shoppers. Xmas comes, I have one week of tremendously bad behavior, visit some family, and then turn into a the bleakest, meanest, most curmudgeonly person you've ever met. Yes, even more so than usual.
This is mostly because the end of Fall semester represents a very special time in the cycle that is the academic job search. If you're going for one of the major jobs, this is when someone will contact you for an interview if you've made the cut. The big English organization is, as we speak, holding its annual conference. This also serves as the meat market for those hoping to get Literature-esque jobs, so if you're one of these fateful people, you're either de-linting your suit and practicing interview-speak, coming to a new level of understanding of the true ramifications of the current job market, or you're just...becoming one of the bleakest, meanest, most curmudgeonly person anyone's ever met.
I'm on the job market again myself. And, as I can see the vast Fratboy-hell BG apartment complexes from my study window as I type this post, you can guess where I fall in the continuum of employment-seekers.
This is (as long-time and therefore long-suffering readers of this blog can attest) not my first time on the market. I have been going pretty steadily since graduating sometime way back in the pleistocene epoch. During this time, I have paid thousands of dollars postage for countless application packets, received some of the most frightfully inept rejection letters (including one beauty that introduced the person they hired in a long, flowing, worship-filled paragraph before adding "Needless to say, we are no longer considering your application"), had several unusual phone interviews (one told me "your skills are exactly what we were thinking of when we wrote the job description"...but those same skills apparently weren't strong enough to land me a campus visit), and even finagled a few on-campus interviews (which were equally strange; one school asked me to do a 20 minute lecture on some point of grammar or mechanics). However, a tenure-track job has, for reasons only Osiris himself understands, thus far eluded me.
Usually, at this time of year, I am irrepressibly bitter and mean. I hate everyone and everything. I am insanely jealous of thousands of interviewing Ph.Ds and ABDs whom I've never met and want to stab them in the neck with the celery from their airport bloody mary. I feel utterly no hope for my future and utterly no confidence in any of my past decisions.
This year? I'm surprisingly non-committal about the whole process. It's one of my deepest fears that I might be simply resigned to my fate.
To be fair, I did end up in a fairly comfortable instructorship. It's outside of my field of expertise, I work entirely too much (16 credit hours in the Fall, 12 in the Spring), and I'm inextricably consigned to freshman classes, but I do get paid okay. I even have my own office with a window...it's a window onto the hallway, but still.... Overall, I'm doing quite well, particularly when compared to my friends, who are either smarter, more charming, better published (up to and including books), or have higher "perfect colleague" potential.
Normally, though, this "it could be worse...you could be lying dead in a ditch" mentality (a favorite aphorism of my otherwise awesome Nana) is of utterly no comfort; in truth, it generally just makes me that much more brittle. And to tell the truth, it's not really a factor in my current yet puzzling lack of rage.
It's my next-to-last year on the job market for many reasons (general tiredness, age, coalescing unwillingness to continue to put off my "real life"), and I'm getting utterly no traction on the tenure job search. And even though the stakes might be higher for some of my friends than for I, my personal career failure has been longer and more spectacular to date. So why am I resigned? Where is the rage?
I kind of miss it, to be honest.
Anyway. Back to writing...I've got two articles to polish and submit if I want to improve my situation for next year's search.
This is mostly because the end of Fall semester represents a very special time in the cycle that is the academic job search. If you're going for one of the major jobs, this is when someone will contact you for an interview if you've made the cut. The big English organization is, as we speak, holding its annual conference. This also serves as the meat market for those hoping to get Literature-esque jobs, so if you're one of these fateful people, you're either de-linting your suit and practicing interview-speak, coming to a new level of understanding of the true ramifications of the current job market, or you're just...becoming one of the bleakest, meanest, most curmudgeonly person anyone's ever met.
I'm on the job market again myself. And, as I can see the vast Fratboy-hell BG apartment complexes from my study window as I type this post, you can guess where I fall in the continuum of employment-seekers.
This is (as long-time and therefore long-suffering readers of this blog can attest) not my first time on the market. I have been going pretty steadily since graduating sometime way back in the pleistocene epoch. During this time, I have paid thousands of dollars postage for countless application packets, received some of the most frightfully inept rejection letters (including one beauty that introduced the person they hired in a long, flowing, worship-filled paragraph before adding "Needless to say, we are no longer considering your application"), had several unusual phone interviews (one told me "your skills are exactly what we were thinking of when we wrote the job description"...but those same skills apparently weren't strong enough to land me a campus visit), and even finagled a few on-campus interviews (which were equally strange; one school asked me to do a 20 minute lecture on some point of grammar or mechanics). However, a tenure-track job has, for reasons only Osiris himself understands, thus far eluded me.
Usually, at this time of year, I am irrepressibly bitter and mean. I hate everyone and everything. I am insanely jealous of thousands of interviewing Ph.Ds and ABDs whom I've never met and want to stab them in the neck with the celery from their airport bloody mary. I feel utterly no hope for my future and utterly no confidence in any of my past decisions.
This year? I'm surprisingly non-committal about the whole process. It's one of my deepest fears that I might be simply resigned to my fate.
To be fair, I did end up in a fairly comfortable instructorship. It's outside of my field of expertise, I work entirely too much (16 credit hours in the Fall, 12 in the Spring), and I'm inextricably consigned to freshman classes, but I do get paid okay. I even have my own office with a window...it's a window onto the hallway, but still.... Overall, I'm doing quite well, particularly when compared to my friends, who are either smarter, more charming, better published (up to and including books), or have higher "perfect colleague" potential.
Normally, though, this "it could be worse...you could be lying dead in a ditch" mentality (a favorite aphorism of my otherwise awesome Nana) is of utterly no comfort; in truth, it generally just makes me that much more brittle. And to tell the truth, it's not really a factor in my current yet puzzling lack of rage.
It's my next-to-last year on the job market for many reasons (general tiredness, age, coalescing unwillingness to continue to put off my "real life"), and I'm getting utterly no traction on the tenure job search. And even though the stakes might be higher for some of my friends than for I, my personal career failure has been longer and more spectacular to date. So why am I resigned? Where is the rage?
I kind of miss it, to be honest.
Anyway. Back to writing...I've got two articles to polish and submit if I want to improve my situation for next year's search.
Sunday, December 20, 2009
The War on X-mas
Since it's been a while, I've decided to make a new mixed drink. Because of the time of the year, I call it (with apologies to Futurama)"The War on X-Mas." Here's how it rolls:
This beverage is best enjoyed while watching football and planning out tomorrow's spree while trying to ignore the increased level of credit debt.
- Fill up a pint glass with ice.
- Squeeze in 1/2 of a lemon.
- Add 1/2 measure of strawberry liquor.
- Add 1/2 measure of peppermint schnapps.
- Add a full measure of Meyer's dark rum.
- Top off with fresh squeezed orange juice.
- Stir, resist the urge to add a sissified umbrella.
This beverage is best enjoyed while watching football and planning out tomorrow's spree while trying to ignore the increased level of credit debt.
Friday, December 18, 2009
Micah Schnabel at Frankies--review
I am a very big fan of Two Cow Garage. For those of you who don't know them (you can hear clips on their website), they are a great rock band from Columbus. I also have a very personal connection to these guys and their music ...but I'll have to go into that at some other time.
Their singer, Micah Schnabel, has a very cool solo album out called When the Stage Lights Go Dim. He's also on a mini-tour to plug it, and when I found out he was playing in Toledo, I immediately made my plans.
So, how was it? Overall, it was a great, great evening. The twenty one things you need to know:
Their singer, Micah Schnabel, has a very cool solo album out called When the Stage Lights Go Dim. He's also on a mini-tour to plug it, and when I found out he was playing in Toledo, I immediately made my plans.
So, how was it? Overall, it was a great, great evening. The twenty one things you need to know:
- I always love it when I have friends that I can expose to/brainwash to become fans of cool bands I like.
- Frankies is a cool bar. Want proof? They have $1.50 PBRs, Black Labels, or Blatzs.
- One of the bouncers complained that if he wanted better luck with women, he should quit trying to use lines about (censored sexual terminology) and Greek food. I have no idea what this means, but I still think it's funny as hell.
- Micah is as gracious, awesome, and bubbly as always. When me and my friends came in, I asked him when he went on. He said "Not sure what time, but I go on last." And then, while pointing to his name in big letters at the top of a show poster, "Hey, I'm Micah Schnabel" Then he noticed that they spelled his name "Michah."
- The bar apparently earlier hosted an (excuse me for this) "all ages hardcore matinée show." Micah told me that he was the only non-teenie there and felt like a parent sitting in the back. I told him that me and my friends, as we're all teachers, we're used to the little bastard trying to make us feel old all the time, so we know how he felt.
- In the "good news" department, Micah told me that Two Cow will be making a new album in March...so already I know 2010 will bean awesome music year.
- The bar was surprisingly packed for a weekday acoustic show. Most of the guys in the audience looked like they were cultivating their facial hair specifically for such events.
- All you need to know about the first act was that the guitar player was wearing a vest. Enough said.
- The tv sets in the bar were playing a dvd of some artist that I didn't recognize...but the singer (a middle-aged, not really in shape white guy) was wearing nothing but a micro-bikini.
- The second act was a singer/songwriter type who obviously thought he was Bob Dylan. He also was wearing plaid...which seems to be another stereotypically "acoustic musician" fashion choice.
- This guy also neglected to say his name anywhere at all in his set. Apparently, he needs lessons in marketing.
- The last guy was a pretty lively punk-influenced singer named Larry Love (a name which immediately made me think sex worker). He repeatedly claimed that he was very sick and getting very drunk...I guess to compensate. The two highlights of his set were a cover of "If Only You Were Lonely" and an original which was called something like "I'm Watching Porn." I thought him to be pretty engaging.
- For some reason, between all the other acts, the PA was playing very loud grungy rock. The genre choice was curious, as it was an acoustic evening, and I also wasn't quite sure why they had the sound up louder than the actual performers. But before Micah's set, they moved to old blues and soul...which was much better
- Micah just utterly dominated the stage. There was utterly nothing laid back about his performance, and during several numbers, he was stomping his feet so loudly that it was in danger of drowning out his vocals and breaking the stage.
- The set itself was balanced about halfway between Micah's solo material and Two Cow material. "Your Humble Narrator" sounded particularly great.
- There were also two covers: "Atlantic City" and an awesome, utterly perfect acoustic take on "Can't Hardly Wait."
- More artists should sell, in addition to the normal tee shirts, concert work shirts. Micah's looked awesome.
- Micah, in between thanking me for the 38th time for coming out, promised that Two Cow Garage would be back sometime in February to road-test the new album. Weeee!
- A great night and great music was only made better when my bar tab only came to $9.
- Ran into an online friend but only chatted briefly. I guess people would more easily recognize me in public if I didn't use my Mii for my Twitter and Facebook icon.
- The only bad thing about the night? For whatever reason, we were utterly incapable of finding anywhere on the ride home that could satisfy my french fry lust. Oh well.
Wednesday, December 02, 2009
the fear of creeping professionality
One year, during a meeting of some sort, the Assistant Director of Composition (and therefore one of my bosses) leaned over to me and whispered, "Mike, you're the meanest son of a bitch in this department."
At the time, I took it as a point of pride. After all, I had a certain history professor in my background who regularly utilized what later would be called a "shock and awe" approach in his pedagogy. This certainly worked for me; not only did I learn an awful lot about Russian and Soviet history (which I unfortunately have never been able to put to use), I also learned many more important lessons on how to study, read, and write at a college level. Would such lessons sunk in if the teacher were instead "Mr. Nice Guy?" Somehow, I doubt it...and I pattern an awful lot of my teaching style based on this teacher.
The other day, however, after I finished a student paper conference, a colleague stuck his head in my office and told me that I sounded like I was slipping, because I sounded courteous and helpful...nice, even. He then mockingly asked me if I wanted to sign up for high school teaching. Unfortunately, he then ducked out of the doorway before I could throw my printer at him.
Is it true? Am I changing into a Mr. "Save the World"/Kumbaya-singing hippie teacher?
There are unfortunately several danger signs. I actually had my Spring semester book order turned in long before our bookstore started sending its regularly scheduled threatening e-mails. And just a few minutes ago, I somehow found myself turning in my yearly evaluation material well in advance of the deadline.
What in the hell is happening to me?
I can see it all coming together through my terror-filled eyes. Pretty soon, I might ask my students to address me by first name. Maybe I'll give extra credit assignments. Is wearing a suit to work really that far behind?
When I lose the fear, the bile, and the attitude, will there be anything left?
At the time, I took it as a point of pride. After all, I had a certain history professor in my background who regularly utilized what later would be called a "shock and awe" approach in his pedagogy. This certainly worked for me; not only did I learn an awful lot about Russian and Soviet history (which I unfortunately have never been able to put to use), I also learned many more important lessons on how to study, read, and write at a college level. Would such lessons sunk in if the teacher were instead "Mr. Nice Guy?" Somehow, I doubt it...and I pattern an awful lot of my teaching style based on this teacher.
The other day, however, after I finished a student paper conference, a colleague stuck his head in my office and told me that I sounded like I was slipping, because I sounded courteous and helpful...nice, even. He then mockingly asked me if I wanted to sign up for high school teaching. Unfortunately, he then ducked out of the doorway before I could throw my printer at him.
Is it true? Am I changing into a Mr. "Save the World"/Kumbaya-singing hippie teacher?
There are unfortunately several danger signs. I actually had my Spring semester book order turned in long before our bookstore started sending its regularly scheduled threatening e-mails. And just a few minutes ago, I somehow found myself turning in my yearly evaluation material well in advance of the deadline.
What in the hell is happening to me?
I can see it all coming together through my terror-filled eyes. Pretty soon, I might ask my students to address me by first name. Maybe I'll give extra credit assignments. Is wearing a suit to work really that far behind?
When I lose the fear, the bile, and the attitude, will there be anything left?
Thursday, November 12, 2009
gloom, despair, and agony on me
When I was younger, there was one day where, before work, I was sitting outside of the pizza place, smoking cigarettes and talking to my supervisor. I said something typically whiny, and after looking at me for a minute, my supervisor said, "You know, Mike, you sure like to complain."
I was upset...how could I know this man for a year and a half before he came to this startling revelation? Or maybe he just liked to point out the obvious.
Yes, I do like to complain. My dear Nanna used to be one of those "everything will work out in the end" type of people, and this always both befuddled and totally annoyed me...because I've always believed that moaning serves a real purpose. Things only work out in the end if someone sees what's wrong, what's holding them back, and does something about it. Plus, complaining is cathartic; my darling spousal unit realized that sometimes, I just want to moan. Whining has also become the hallmark of my humor...so there's no way I could stop now even if I was motivated to do so.
Today, though, I have reason. Moreover, it's one of the best reasons to complain: I have real evidence that the fates are aligned against me in two very tangible ways.
These are just two of the reasons I hate the world and most everyone in it.
I was upset...how could I know this man for a year and a half before he came to this startling revelation? Or maybe he just liked to point out the obvious.
Yes, I do like to complain. My dear Nanna used to be one of those "everything will work out in the end" type of people, and this always both befuddled and totally annoyed me...because I've always believed that moaning serves a real purpose. Things only work out in the end if someone sees what's wrong, what's holding them back, and does something about it. Plus, complaining is cathartic; my darling spousal unit realized that sometimes, I just want to moan. Whining has also become the hallmark of my humor...so there's no way I could stop now even if I was motivated to do so.
Today, though, I have reason. Moreover, it's one of the best reasons to complain: I have real evidence that the fates are aligned against me in two very tangible ways.
- A year or so back, I was starting to think through a paper on the tv show Terminator: The Sarah Connor Chronicles. For those of you who didn't see it, it was a good, occasionally brilliant program...slower moving than the films, yet intellectual and intriguing (rather than the "shoot-em-up" style of the films). I really loved the way the probram talked about intelligence, and the paper, I felt, would really be something. Then the show got canceled, and my preliminary work on the program became essentially wasted time...because who cares about a canceled show? At least, I assuaged myself, I didn't write a paper that ends up being useless. I decided from then on that I would take special care to make sure my topics were viable.
Flash-forward to this summer and "the paper that wouldn't die 2009 edition" (you can read all the gory details if you so wish). I had planned to spend the summer working on the book, but this damn paper on Dollhouse's renewal wouldn't get out of my head. It even had the potential to be "important." So I spent 2.5 months writing a paper which argued its renewal signified network television moving away from a ratings-based model, and this signified...a whole bunch of vital and noteworthy stuff.
What happens? Dollhouse got canceled yesterday...which makes my whole paper a non-starter. My summer was pretty much wasted. Damnit. - This year, my university has decided, in its infinite wisdom, to change our health care options. Of course, my insurer is the one undergoing major changes, so, an hour-long presentation, several confusing web pages, and a 58 slide power point later, I finally decide on a new provider.
As with every single year, I have to provide my HR department with a form stating that my darling spousal unit does not get insurance where she works. No sweat, right? She gives it to her HR Tuesday, and all they literally have to do is sign and write their phone number. She calls them today. They might be able to get it signed tomorrow. She asks them if they realize that she has to have it turned in tomorrow or she cannot get insurance. They know this, they tell her, but there are only two people who can sign this form, and they are both in a meeting.
So now, my spousal unit may not get insurance because it apparently takes someone more than four days to sign their name.
These are just two of the reasons I hate the world and most everyone in it.
Wednesday, November 04, 2009
money for nothing
In my dissertation (eventually to be my book), I write (amongst other subjects) about economic policy in the eighties. Reagan's economic philosophy was, on the whole, kind of weird. If we give rich people more money, the theory goes, they will spend more money, and the people who get that money will in turn spend, and so on, so forth. And the only thing that will prevent this spending is taxes, so we're going to lower tax rates for the rich only. Besides, the logic (?) goes, all this spending will generate more work, which we then can tax, which will pay for the runaway government spending which we hate but will do absolutely nothing to stop.
It's an interesting concept, but for it to work, one that has to assume no one rich will hoard money or no one poor will pay bills. When questioned about the logic of Reaganomics, White House budget director David Stockman (I think) said something to the effect of "if people believe in this, it will work...so quit reporting bad news." Yes, this economic theory is based off giving people money and hoping everything works out perfectly. What bad could possibly result?
Fast forward to the present. Credit card debt levels are staggering. We've just gone through a lending crisis. Thanks to our last president (whose VP said "deficits don't matter"), our country's debt levels are record-breaking. Moreover, when our current president tried to use government money to fund projects, people refer to him as the communistical Marxist Commie Antichrist....the same people, it should be noted, who loved W simply mailing them checks.
We had an election yesterday, and my state in particular has lost its collective mind. In Ohio, our voters apparently decided that casinos, which push the "you can get rich without working" myth, are exactly what our state needs. They also decided that, rather than fund some programs to help veterans, we were just going to cut them a check. Apparently, free money is now the answer to everything. Sigh.
You see? Reagan is to blame for everything.
It's an interesting concept, but for it to work, one that has to assume no one rich will hoard money or no one poor will pay bills. When questioned about the logic of Reaganomics, White House budget director David Stockman (I think) said something to the effect of "if people believe in this, it will work...so quit reporting bad news." Yes, this economic theory is based off giving people money and hoping everything works out perfectly. What bad could possibly result?
Fast forward to the present. Credit card debt levels are staggering. We've just gone through a lending crisis. Thanks to our last president (whose VP said "deficits don't matter"), our country's debt levels are record-breaking. Moreover, when our current president tried to use government money to fund projects, people refer to him as the communistical Marxist Commie Antichrist....the same people, it should be noted, who loved W simply mailing them checks.
We had an election yesterday, and my state in particular has lost its collective mind. In Ohio, our voters apparently decided that casinos, which push the "you can get rich without working" myth, are exactly what our state needs. They also decided that, rather than fund some programs to help veterans, we were just going to cut them a check. Apparently, free money is now the answer to everything. Sigh.
You see? Reagan is to blame for everything.
Tuesday, November 03, 2009
stupidity...a hard lesson
It's something I don't really like to admit to myself, but I am largely, tremendously driven by ego...particularly by not wanting to feel useless and dumb. I tell myself that I, much like Annie Savoy, should be so strong that such things as "how smart I seem" cannot affect me. This is, however, a fiction that never really works.
This relentless need to not feel useless and dumb is not, I should point out, entirely bad. It is what caused me to leave my dead-end job as a salesman (of water, no less...that's right, I could convince people to pay money for something that came out of their taps, and I was actually pretty good at it). It has caused me to keep working on my scholarship in spite of a job that doesn't reward such work at all. It causes me to study, to learn, to read, to do any of the things that keep one a vital human.
But it leads to doubts...lots of them. Have I never been in a band that played out because I suck as much as many assume? Why, I ask myself, do I have do read this damn Zizek article five times to actually understand it? Is it because I'm as dense as I feel? Why don't I have that tenure-track job? Is it really the economy, or am I simply not good enough? Why does that article, which a part of me truly believes is really well-written and vital, keep getting rejected? On those rare occasions when I evaluate myself and find myself worthy, am I really just led by delusion? The doubt festers, like a...like a...sigh. Even the damn metaphors escape me.
There have always been many things where I knew I lacked something. In spite of my best efforts, for instance, there is something about car repair that eludes me. But I always thought I could minimize the gap. For instance, I am fully aware that in the hierarchy of intelligence, I can think of about fifteen close friends who are definitively smarter than me. Yet I still think, I still study, I still try to stretch my mind (at least as far as my schedule allows) because I honestly believe I can make a difference somewhere...can't I?
The problem is that even when I feel I'm making progress in one area, life has a way of smacking me down in some other way.
Case in point: although I have never actually done any substantial writing in a Fall semester since graduating (I teach 16 credit hours, and that doesn't lend itself to doing much of anything), I signed up for a November academic conference. In order to force some scholarship, I even committed to a new topic. And in spite of beguiling students and a thousand commitments on my day, I am actually making headway. I think I have good, notable conclusions, and even though I am not sure I'll have an actual paper ready to go for my presentation this weekend, I feel confident in my ability to do something meaningful, tangible, something that will eventually become a publishable article (something I can really use).
Of course, something else crops up. "You hear that?" my internal Agent Jones, asks. "That is the sound of inevitability." And indeed, I heard inevitability scraping down my hallway. So what did it sound like?
One word: laundry.
In between doing a thousand other things this weekend, I spent some time doing laundry. As I was putting my final load into the dryer, however, the door refused to latch...and you really can't dry clothes with a dryer open to the world. I looked at the latch mechanism, poked it with some tools, but no dice. I tried a temporary fix with duct tape holding the door closed, but here I learned something: duct tape, when heated, stretches, thus requiring the launderer to reapply every ten minutes. Truly, this was not an ideal solution.
While I am no means a mechanical genius, I knew that this was probably not a complicated repair...pull out one part, put in another. However, I've got students clamoring for last minute topic approval, that conference in less than a week, a full week's worth of cooking to do, and the requisite 1,387,242 self-doubts to quell, so rather than locate the latch, drive around and buy it, and hammer the sucker in place myself, I decide to just call someone.
And that was where my stupidity reared back and smacked me in the face. The repair guy came today. As I suspected, he only had to pry out the old part and hammer in a new $6 latch. It took all of three minutes. My charge? Well, the service fee was $40. Then I had to pay $20 for this guy's three minutes of labor. My desire to save 30 minutes cost me $70 after tax. Sigh.
Once again, I realize that as much as I try to convince myself otherwise, I have not in fact escaped my own general stupidity, and that in this case (as in countless others), that stupidity comes partially on relying on others. I look forward to the day where I won't be quite so dumb, but right now, I really wonder if that day will ever come. Not today, it seems.
This relentless need to not feel useless and dumb is not, I should point out, entirely bad. It is what caused me to leave my dead-end job as a salesman (of water, no less...that's right, I could convince people to pay money for something that came out of their taps, and I was actually pretty good at it). It has caused me to keep working on my scholarship in spite of a job that doesn't reward such work at all. It causes me to study, to learn, to read, to do any of the things that keep one a vital human.
But it leads to doubts...lots of them. Have I never been in a band that played out because I suck as much as many assume? Why, I ask myself, do I have do read this damn Zizek article five times to actually understand it? Is it because I'm as dense as I feel? Why don't I have that tenure-track job? Is it really the economy, or am I simply not good enough? Why does that article, which a part of me truly believes is really well-written and vital, keep getting rejected? On those rare occasions when I evaluate myself and find myself worthy, am I really just led by delusion? The doubt festers, like a...like a...sigh. Even the damn metaphors escape me.
There have always been many things where I knew I lacked something. In spite of my best efforts, for instance, there is something about car repair that eludes me. But I always thought I could minimize the gap. For instance, I am fully aware that in the hierarchy of intelligence, I can think of about fifteen close friends who are definitively smarter than me. Yet I still think, I still study, I still try to stretch my mind (at least as far as my schedule allows) because I honestly believe I can make a difference somewhere...can't I?
The problem is that even when I feel I'm making progress in one area, life has a way of smacking me down in some other way.
Case in point: although I have never actually done any substantial writing in a Fall semester since graduating (I teach 16 credit hours, and that doesn't lend itself to doing much of anything), I signed up for a November academic conference. In order to force some scholarship, I even committed to a new topic. And in spite of beguiling students and a thousand commitments on my day, I am actually making headway. I think I have good, notable conclusions, and even though I am not sure I'll have an actual paper ready to go for my presentation this weekend, I feel confident in my ability to do something meaningful, tangible, something that will eventually become a publishable article (something I can really use).
Of course, something else crops up. "You hear that?" my internal Agent Jones, asks. "That is the sound of inevitability." And indeed, I heard inevitability scraping down my hallway. So what did it sound like?
One word: laundry.
In between doing a thousand other things this weekend, I spent some time doing laundry. As I was putting my final load into the dryer, however, the door refused to latch...and you really can't dry clothes with a dryer open to the world. I looked at the latch mechanism, poked it with some tools, but no dice. I tried a temporary fix with duct tape holding the door closed, but here I learned something: duct tape, when heated, stretches, thus requiring the launderer to reapply every ten minutes. Truly, this was not an ideal solution.
While I am no means a mechanical genius, I knew that this was probably not a complicated repair...pull out one part, put in another. However, I've got students clamoring for last minute topic approval, that conference in less than a week, a full week's worth of cooking to do, and the requisite 1,387,242 self-doubts to quell, so rather than locate the latch, drive around and buy it, and hammer the sucker in place myself, I decide to just call someone.
And that was where my stupidity reared back and smacked me in the face. The repair guy came today. As I suspected, he only had to pry out the old part and hammer in a new $6 latch. It took all of three minutes. My charge? Well, the service fee was $40. Then I had to pay $20 for this guy's three minutes of labor. My desire to save 30 minutes cost me $70 after tax. Sigh.
Once again, I realize that as much as I try to convince myself otherwise, I have not in fact escaped my own general stupidity, and that in this case (as in countless others), that stupidity comes partially on relying on others. I look forward to the day where I won't be quite so dumb, but right now, I really wonder if that day will ever come. Not today, it seems.
Thursday, October 01, 2009
the wandering conference mind
Whenever I do student conferences, I tend to easily and readily fall into trances. I find myself repeating myself so often that a large portion of my consciousness tends to tune out; one year, I'm even convinced that I had an honest-to-goodness out-of-body experience, where I could watch myself giving the same bit of feedback for the 137th time.
However, my mind never completely shuts off (no matter how much I wish sometimes it would). Instead, my thoughts and observations just get very random and disjointed...more so than usual. How random? Why, I'm glad you asked:
However, my mind never completely shuts off (no matter how much I wish sometimes it would). Instead, my thoughts and observations just get very random and disjointed...more so than usual. How random? Why, I'm glad you asked:
- When I do student conferences, I develop a love/hate relationship with my mail. I hate getting mail--it's almost always either causing me more work or just making me throw away something else--but I check it incessantly nonetheless.
- At least two times a week, I go into the bathroom, and someone is in the stalls both taking care of business and text messaging. This is frankly a form of multitasking I can do without.
- I've had several students come in wearing hoodies that have their last name spelled out across the front...as if their family was a major university or something. Sadly, I managed to grow up without the DuBose name becoming a brand.
- My students are strangely resistant to any critiques of capitalism. From them, I have learned that fun should only be the dominion of those who have money. I have also learned that Marxism, Communism, and Socialism are the same thing. Also, Hegemony is a person.
- We, as teachers, are often led to believe that our students are of the computer saturation generation. This is far from the truth. In fact, I have been told several times in the last few days that interaction via computer is not real, because you never know the truth about people online. Apparently, no one ever lies or attempts to deceive in person. If I would've known this while single, it would've revolutionized my dating life.
- When I have conferences, I have the 2-3 minutes of dead space between students. Normally, I would turn to my RSS feeds or to Twitter for entertainment during these periods (as there is nowhere near enough time to do anything productive). However, stuff just doesn't happen quickly enough, and my need for distraction soon outpaces the inanity I regularly visit while online. So I do things I wouldn't ordinarily do, such as view photo sets of Insane Clown Posse fans. Yes, it does get that bad.
- Today in class, as I was shuffling through one of the articles, I realized that the scan was missing a page. While I was a little bit chagrined none of my students noticed this error, I was particularly upset that I had noticed it while reading. Yes, boys and girls, teachers can be idiots too!
- About half the time I leave my 12:30-1:45 class, a gaggle of my students were lined up at the vending machines. Yes, there is something about my teaching style that leads people to crave junk food.
- It never fails to raise at least one chuckle when, in my effort to demonstrate the effects of camera angle choice, I climb on top of my desk in class. It's almost worth the very real risk of ripping one's pants while climbing down.
Monday, September 28, 2009
you can talk and talk and talk...
When I became a writing teacher, there were a whole lot of adjustments I had to make...and most of them (as I've moaned about before) have to do with evaluation. Until someone finds out a way to grade student writing using scantron, us writing teachers end up with a whole lot of student essays to grade. Sitting in the room with a stack of papers in one hand and a red pen in the other does weird things to people--personally, it just used to make me bitter and revolutionary--so options are never a bad thing.
I went to student conferences instead of marking up essay drafts a long time ago. Generally, it's superior in every way. It does take up a little more time, but it also is dramatically easier on the soul. It's also more immediate. When students are unwittingly violating key rules, you can explain and demonstrate how things are supposed to work. When students are consciously not doing their work, you can get a glimpse on whether or not they're going to change their ways...and thus remain worthy of your time and attention.
The best part of conferences, though, happens when you can see the shining light of reason dawn in student eyes.
When I run my first batch of conferences, people are more panic-filled than anything else. I have (no exaggeration) had tears shed during week two of the semester. This is mostly because I believe in immersion-learning, meaning throwing the students in the deep end immediately...just so they completely understand how deep really is the water. Nothing I can say, for instance, about leaving yourself enough time to revise is quite as effective as only giving students one week to do their first assignment.
Now, however, is when the class starts to change in glorious ways. People know what they need to do with their papers before they come into my office. When I explain a concept, they nod their heads rather than stare at me like I've lost my mind.
Today, in one of my conferences, I was explaining how argument points should build on each other into a complex, unified thesis. The student was silent for a second before exclaiming "that's a really good note" and diving for something on which to write down my words o' wisdom.
I've been doing this silly job for years, so I should be able to occasionally "wow" them with my knowledge...but it's always nice to see visual proof that I am indeed not a fraud.
I went to student conferences instead of marking up essay drafts a long time ago. Generally, it's superior in every way. It does take up a little more time, but it also is dramatically easier on the soul. It's also more immediate. When students are unwittingly violating key rules, you can explain and demonstrate how things are supposed to work. When students are consciously not doing their work, you can get a glimpse on whether or not they're going to change their ways...and thus remain worthy of your time and attention.
The best part of conferences, though, happens when you can see the shining light of reason dawn in student eyes.
When I run my first batch of conferences, people are more panic-filled than anything else. I have (no exaggeration) had tears shed during week two of the semester. This is mostly because I believe in immersion-learning, meaning throwing the students in the deep end immediately...just so they completely understand how deep really is the water. Nothing I can say, for instance, about leaving yourself enough time to revise is quite as effective as only giving students one week to do their first assignment.
Now, however, is when the class starts to change in glorious ways. People know what they need to do with their papers before they come into my office. When I explain a concept, they nod their heads rather than stare at me like I've lost my mind.
Today, in one of my conferences, I was explaining how argument points should build on each other into a complex, unified thesis. The student was silent for a second before exclaiming "that's a really good note" and diving for something on which to write down my words o' wisdom.
I've been doing this silly job for years, so I should be able to occasionally "wow" them with my knowledge...but it's always nice to see visual proof that I am indeed not a fraud.
Wednesday, September 16, 2009
music and fate
Ages ago, I chronicled my experience trying to get into a band (which is, incidentally, better written and more accurately descriptive of my feelings than I recall). Since then, my lifelong relationship to music has more or less followed a predictable pattern: restring a guitar, mess around with it for a few days, get buried in an avalanche of work, forget about the guitar, sit on my couch grading, see guitar gathering dust, get all mopey and contemplative, repeat cycle. Throughout it all, the one constant was feeling that the "guitar player" part of my identity was slipping away, decaying through its half life, leading me inevitably and inexorably to a point where I become merely a guy who used to think of himself as a guitar player when he was younger. This, I believed, was fate.
Things inevitably happen, though. During my really good weekend recently, I found myself, during the course of one evening's drinking, going from "guy who sometimes likes to still think of himself as a guitar player occasionally" to "guy who is somehow in a band with another guitar player and a drummer." Then we somehow recruited a bass player before the weekend was out. Then we set a rehearsal date...and it seemed that for once, I was finally able to slap fate in the mouth.
Figuring more distortion could only help cover how out of shape my playing was, I went online and purchased a highly recommended distortion pedal from a well-reviewed music store. However, it never came, and when I finally contacted the store, they told me that their post office loses about a package a week...and it apparently was my turn...so I still don't have it. Sigh...score one for fate.
But I was hoping for improvement. When it finally came time to play together, I was pleased to find out that I was not as rusty as, by all rights, I should be. My fingers were actually cooperating. Moreover, my 1973 Les Paul Custom (which, in a fit of madness, I actually contemplated selling) sounded amazing when I was able to crank up the volume on the Marshall and put the spurs to it. And the day turned out fairly productive...we faked our way through some parts of songs, developed fragments of three original songs, and assembled a list of cover songs to learn.
Lest it seem that everything was going too smoothly or that I was coming out ahead, however, my amplifier started to make some weird noise when I first plugged in...we initially just put it down to schmutz in the system. Then I went to show our bass player a chord progression, touched her instrument, and received an electrical shock. Wondering if it was me or her, I touched the other guitar player's instrument and was shocked again. Near the end of the session, I was doing a stupid "never stop soloing" moment at the end of the song, and the other guitar player grabbed my instrument to stop me...and herself received a massive electrical blast.
Initially, we thought it must've been just the result of rental house wiring (where landlords regularly do not overly concern themselves with building codes or proper standards of maintenance). Yet when I went over to my guitar player's house this week to work out some parts, my amplifier refused to do anything other than an electronic gargle. So, having realized that my amp was on the verge of death, I took it to a recommended repair shop. Only two problems, though. First, I have to pay for the first hour in advance (which works out to be $70). Second, they'll get to the amp in 2-3 weeks. This wouldn't be a problem if I was still "occasional guitar player guy," but we have a practice session lined up for Friday.
Yes, it's not just my almost overwhelming workload that prevents me from being a musician...it's also some twisted combination of fate and whatever vindictive deities rule the world of electronic sound amplification.
But I won't let it get me down. This time, I'll just strum really loudly.
Things inevitably happen, though. During my really good weekend recently, I found myself, during the course of one evening's drinking, going from "guy who sometimes likes to still think of himself as a guitar player occasionally" to "guy who is somehow in a band with another guitar player and a drummer." Then we somehow recruited a bass player before the weekend was out. Then we set a rehearsal date...and it seemed that for once, I was finally able to slap fate in the mouth.
Figuring more distortion could only help cover how out of shape my playing was, I went online and purchased a highly recommended distortion pedal from a well-reviewed music store. However, it never came, and when I finally contacted the store, they told me that their post office loses about a package a week...and it apparently was my turn...so I still don't have it. Sigh...score one for fate.
But I was hoping for improvement. When it finally came time to play together, I was pleased to find out that I was not as rusty as, by all rights, I should be. My fingers were actually cooperating. Moreover, my 1973 Les Paul Custom (which, in a fit of madness, I actually contemplated selling) sounded amazing when I was able to crank up the volume on the Marshall and put the spurs to it. And the day turned out fairly productive...we faked our way through some parts of songs, developed fragments of three original songs, and assembled a list of cover songs to learn.
Lest it seem that everything was going too smoothly or that I was coming out ahead, however, my amplifier started to make some weird noise when I first plugged in...we initially just put it down to schmutz in the system. Then I went to show our bass player a chord progression, touched her instrument, and received an electrical shock. Wondering if it was me or her, I touched the other guitar player's instrument and was shocked again. Near the end of the session, I was doing a stupid "never stop soloing" moment at the end of the song, and the other guitar player grabbed my instrument to stop me...and herself received a massive electrical blast.
Initially, we thought it must've been just the result of rental house wiring (where landlords regularly do not overly concern themselves with building codes or proper standards of maintenance). Yet when I went over to my guitar player's house this week to work out some parts, my amplifier refused to do anything other than an electronic gargle. So, having realized that my amp was on the verge of death, I took it to a recommended repair shop. Only two problems, though. First, I have to pay for the first hour in advance (which works out to be $70). Second, they'll get to the amp in 2-3 weeks. This wouldn't be a problem if I was still "occasional guitar player guy," but we have a practice session lined up for Friday.
Yes, it's not just my almost overwhelming workload that prevents me from being a musician...it's also some twisted combination of fate and whatever vindictive deities rule the world of electronic sound amplification.
But I won't let it get me down. This time, I'll just strum really loudly.
Monday, August 31, 2009
good times
A few weekends ago when I was sick, I laid on the couch, moaned a whole lot, and watched a lot of HGTV. This, in the end, was a mistake. I saw lots of programs with 22 year old couples either looking to buy or to spruce up their first house. I saw "What kind of house does $600,000 buy you" shows? I saw plenty of youngsters much better off than me. I wanted to punch them all in the left eye.
Normally, HGTV has a lot going for it...the general joy of watching a television network full of personality-driven shows but with hosts who have utterly no personality at all. The horrible production values. The sheer number of annoying idiots. All of it is generally hilarious. However, it does entirely too good of a job of stoking my class hatred and making me a bitter man.
It's funny how much good a weekend changes things. And indeed, it was a weekend in a number of ways:
There are times when I start to feel left behind in life, stuck in a non-tenure job, stuck as a renter, living year 11 in a town I thought I'd only be in for 4. Then there are weekends like this one, where all I wanted was my friends to get full time jobs in the area so it would always be like this.
Normally, HGTV has a lot going for it...the general joy of watching a television network full of personality-driven shows but with hosts who have utterly no personality at all. The horrible production values. The sheer number of annoying idiots. All of it is generally hilarious. However, it does entirely too good of a job of stoking my class hatred and making me a bitter man.
It's funny how much good a weekend changes things. And indeed, it was a weekend in a number of ways:
- Friday night started with sushi with my wonderful spousal unit. Mackerel might just be my new favorite.
- Out to the best bar with good friends makes a Friday night just go right.
- Discovering a very good local band also really helps.
- Later that night, a friend asked if I wanted to get together and play some music. In an hour, another friend was recruited. I wasn't expecting to get into a band. However, it is awesome.
- It's a good feeling to close out the bar...especially when you get to walk home with very funny-drunk friends and wake up with absolutely no hangover the next day.
- Day two had a post-dissertation party at a friend's place with many more friends. Oh yeah, with homemade Bucyrus bratwursts. The weekend went from awesome to tremendous.
- Out to another nightclub, which I also ended up closing down with more friends. Minus the karaoke, the sweet sixteen party wearing weird costumes, and a truly awful Belgian beer, it was still a blast.
- Sunday? A day with my darling spousal unit, which is about as perfect as imaginable.
There are times when I start to feel left behind in life, stuck in a non-tenure job, stuck as a renter, living year 11 in a town I thought I'd only be in for 4. Then there are weekends like this one, where all I wanted was my friends to get full time jobs in the area so it would always be like this.
Thursday, August 27, 2009
roid rage
Earlier, I moaned and whined about getting a cold at the end of summer (I know what you're thinking...Mike? Complaining? I know...it just doesn't sound like me). I started out on Aug. 13 just feeling slightly icky with a sore throat. Then I started to feel get all fevery and dizzy. It was quite depressing, mostly because I knew, deep down inside, that it really was not the result of too much partying or something.
I spent time laying on the couch. I watched more HGTV than any man should bear. I realized just how tougher than I is my darling spousal unit. Moreover, however, I spent a lot of time not doing the paper I had started...fever dreams and academics, I long ago learned, do not really go togethe all that well.
After about a week, the fevers and ickiness generally went away. However, the cough was refusing to budge. I seemed to notice that the more I talked, the worse it got, so I tried to avoid spouting off my opinions whenever I had an audience. However, the cough still didn't completely go away. The only real change is that my friends seemed happier to see a less talkative me.
I started teaching this week, and for me, that involves long periods of using The DuBose Teacher Voice, which can be, if I might say, an awesome entity. Yet my throat was suffering for it. I decided that, rather than adapting all the other Tom Waits mannerisms (which I couldn't really do anyway...I don't have a good hat), I would finally break down and go see the doctor.
He told me that I most likely had a viral thing (his words), but it had gone away. My throat and sinuses were still inflamed, however, so he gave me a stepped dose of a steroid/anti-inflammatory. When I mentioned this on my Twitter feed, I was bombarded by friends (?) pelting me with horror stories about steroid side effects. I half expected to turn into the Hulk (the Incredible or Hogan...either/or) by the end of the day. My only solace in this was that if I were to go all green, bloated, and rampaging, at least there was a good chance it would happen while I was teaching. If nothing else, that would cut down on disciplinary problems amongst the students.
There were no side effects that I noticed while at work. When the day of teaching had finally ended (around 9:45...yes, PM...damn class schedules), I drove home while blasting Green Day, and I noticed my throat was too sore from five hours of giving Exclusive Command Teaching Performances to sing along. It lessened the effect, for sure.
Then, a while after arriving in the arms of beautiful spousal unit, after giving time for my mind to supposedly calm down post-teaching, I went to bed. This is when things started to change. Now, I've had mild insomnia issues for some time. I've always had nights where my brain wouldn't shut off. Last night was definitely one of them, but with the added twist of thinking of random stuff at an extremely high speed. My brain was pulling all its normal tricks (getting caught into obscure song lyrics, trying to find new uses for bratwurst, composing a musical on the life of Asian Dawn leader Hans Gruber* but as if sung by chipmunks), but it was doing it at auctioneer rate, as if someone had tripped my mind's switch to 78. Of course, this made sleep nigh-near difficult.
So far, though, this could be traced to simple hangover from week one of teaching. Then everything subtly changed. As I lay there, trying to block out my brain while not disturbing my slumbering, wildebeest-snoring spousal unit, I realized that I could feel my head. I mean, I could really feel my head. I started being able to feel just my left ear (and its surrounding areas) in excruciating detail. Then I was also able to feel a bit of the back of my neck. There was one patch of hair in particular where I could feel the spikes at the end of the follicles. My head swayed and tingled. This might've been enjoyable if I at least had a Tommy Chong-esque "wow, man" attitude to go with it, but when you couple it with a brain which can't quit analyzing fictional animal musicals, it was less than enjoyable...somewhere on the road to annoying, if you wanna know the truth.
Eventually, the sensations in my head started to fade, and the conversations in my brain, while not really going away, at least had the decency to bore me into slumber (giving me the added benefit of knowing how my friends, when around me, generally feel. Waking up was relatively hard today, but so far, no lingering steroid side-effects.
At least I know know how professional athletes feel.
* ten points for the first person to get this reference.
I spent time laying on the couch. I watched more HGTV than any man should bear. I realized just how tougher than I is my darling spousal unit. Moreover, however, I spent a lot of time not doing the paper I had started...fever dreams and academics, I long ago learned, do not really go togethe all that well.
After about a week, the fevers and ickiness generally went away. However, the cough was refusing to budge. I seemed to notice that the more I talked, the worse it got, so I tried to avoid spouting off my opinions whenever I had an audience. However, the cough still didn't completely go away. The only real change is that my friends seemed happier to see a less talkative me.
I started teaching this week, and for me, that involves long periods of using The DuBose Teacher Voice, which can be, if I might say, an awesome entity. Yet my throat was suffering for it. I decided that, rather than adapting all the other Tom Waits mannerisms (which I couldn't really do anyway...I don't have a good hat), I would finally break down and go see the doctor.
He told me that I most likely had a viral thing (his words), but it had gone away. My throat and sinuses were still inflamed, however, so he gave me a stepped dose of a steroid/anti-inflammatory. When I mentioned this on my Twitter feed, I was bombarded by friends (?) pelting me with horror stories about steroid side effects. I half expected to turn into the Hulk (the Incredible or Hogan...either/or) by the end of the day. My only solace in this was that if I were to go all green, bloated, and rampaging, at least there was a good chance it would happen while I was teaching. If nothing else, that would cut down on disciplinary problems amongst the students.
There were no side effects that I noticed while at work. When the day of teaching had finally ended (around 9:45...yes, PM...damn class schedules), I drove home while blasting Green Day, and I noticed my throat was too sore from five hours of giving Exclusive Command Teaching Performances to sing along. It lessened the effect, for sure.
Then, a while after arriving in the arms of beautiful spousal unit, after giving time for my mind to supposedly calm down post-teaching, I went to bed. This is when things started to change. Now, I've had mild insomnia issues for some time. I've always had nights where my brain wouldn't shut off. Last night was definitely one of them, but with the added twist of thinking of random stuff at an extremely high speed. My brain was pulling all its normal tricks (getting caught into obscure song lyrics, trying to find new uses for bratwurst, composing a musical on the life of Asian Dawn leader Hans Gruber* but as if sung by chipmunks), but it was doing it at auctioneer rate, as if someone had tripped my mind's switch to 78. Of course, this made sleep nigh-near difficult.
So far, though, this could be traced to simple hangover from week one of teaching. Then everything subtly changed. As I lay there, trying to block out my brain while not disturbing my slumbering, wildebeest-snoring spousal unit, I realized that I could feel my head. I mean, I could really feel my head. I started being able to feel just my left ear (and its surrounding areas) in excruciating detail. Then I was also able to feel a bit of the back of my neck. There was one patch of hair in particular where I could feel the spikes at the end of the follicles. My head swayed and tingled. This might've been enjoyable if I at least had a Tommy Chong-esque "wow, man" attitude to go with it, but when you couple it with a brain which can't quit analyzing fictional animal musicals, it was less than enjoyable...somewhere on the road to annoying, if you wanna know the truth.
Eventually, the sensations in my head started to fade, and the conversations in my brain, while not really going away, at least had the decency to bore me into slumber (giving me the added benefit of knowing how my friends, when around me, generally feel. Waking up was relatively hard today, but so far, no lingering steroid side-effects.
At least I know know how professional athletes feel.
* ten points for the first person to get this reference.
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